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The Rich Coast
The airport coffee shop—a long, thin room with a garishly bright red tile floor and beige, nondescript wallpaper rising above the wood paneling—was separated from the bar by a rounded wooden partition of staggered boards. I was studying the random patterns of the roughhewn slats when Jim brought me a cup of strong coffee and toast grilled in butter. As we waited to board what would be my last flight from Costa Rica to the U.S., a constant flow of camaraderie enveloped us—the travelers awaiting their chance to wander out of the country with a nonchalance bordering on disdain in spite of the fact that they were obviously determined to go elsewhere.
Rick and Christy were still kidding Jim about an episode that had taken place at the San Jose McDonald’s drive-through the evening before, causing his face to go as red as the floor and a nervous chuckle to slide from his throat. We had wanted French Fries after weeks of rice and beans, and since Jim was in the driver’s seat, he was the one who had to place the order. He stared at the menu board with its sunken speaker and no matter how many times we coached him, he couldn’t wrap his tongue around a large order of French Fries in Spanish. After a very pregnant silence, we resorted to shouting papas fritas grande in unison in the hopes that the person receiving the order would hear us. When it became obvious that it wasn’t working, Jim held his hand up for us to be quiet and shouted with great bravado papas fritas Gandhi. This sent us into throes of laughter as we thought of skinny little fries with bald heads. It’s one of the stories that would be repeated often as our volunteers came together to talk about their times in Costa Rica.
It seemed an excruciatingly long wait before we were ready to board the plane and take off. Once TACA Airlines finally whisked us away, we climbed above misty mountains, the clouds resting peacefully as they clung to the volcano Irazu’s textured slopes. I thought about how we’d made so many memories in the lush country, one of the funniest of which was our first day of the trip that our flight home was bringing to a close. Jim and I had been walking around San Jose when we noticed a man following us for an alarmingly long time. Jim had finally worked up the nerve to ask him why and he answered, in broken English, that he wanted his autograph. “Why?” Jim asked. “You Sean Connery!” the man had replied, grinning from ear to ear. “No,” Jim said, “I’m not.” The fellow simply wouldn’t believe him no matter how many times he said it wasn’t true and he continued to doggedly follow us until I convinced Jim to acquiesce because the guy was giving me the creeps. The piece of paper the man had been waving in our direction every time we had looked his way was finally signed with Jim’s own signature but that hadn’t mattered to the sincerely excited man, who held the scrap of paper in the air as if he had just received a priceless treasure as he walked away from us!
The silliest things had always come about because the people were so genuine, I thought as I took a long last look at the fading peaks below. I said goodbye to the rich coast that had held such a paradoxical mix of experiences for me, thinking to myself, “Emma, how could I forget you or anyone else here?” I realized I’d mouthed her name aloud when my warm breath fogged the portal-shaped window, which had grown frigid as we climbed higher, and we sliced into a cloud that further obscured the land below. I leaned back in my seat, wrestling with a mixture of relief and grief, as I wondered, Was this all there would be of my relationship with Costa Rica and its gentle people?
The question faded only slightly once I was back at home, a two-week respite before traveling west to South Dakota. During the rare down-time we visited a development called Dunaway, a getaway for the area’s elite with wooded lots large enough that cabins could be tucked into the middle of lush foliage for privacy. It was in its early stages of being carved from the Tennessee hills and Jim was purchasing a sequestered parcel of land on which we would build a cabin. The seclusion was a must for the wealthy determined to have safe havens when they attempted to escape from their “lives”—a fact that I found ironic because “they” always took their lives with them (I suppose this is where I should own it and say “we” because I was among them at this point in my life)! There was a beautiful lake on the property and I sat in a canoe one afternoon, filling myself with the comforting silence broken only by the intermittent buzzing of cicadas and the occasional click of dragonfly wings.
I was so steeped in the deep dampness of the abundant setting that I was able to quiet my mind for the first time in months. As my eyes followed the shoreline hemmed in cattails, a thought took hold of me so forcefully that it was as if some unseen force had grabbed me and shook me hard. My own voice, buried deep inside me, whispered, “You don’t have to wrestle with your spirituality; you don’t have to worry that you are at odds with religion—there is room for your way of being. Yes, there is much to know for certain, but you have begun your search for your meaning and that is all you need to know for now.”
This is a participating #LetsBlogOff post; to see my fellow bloggers taking up the subject of privacy today, click here. For a writing exercise that I have used to push myself to my highest quality of description for this post, visit adroyt, and if you are so inclined take up the cause of quality in writing yourself, I’d love to know what you create from it. If you are new to this blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. Thanks for stopping in!
Drowsy Weather
I had imagined that I would spend my hours during our final trip putting thoughts like this on paper, but I was unable to translate anything into a coherent narrative because Jim had put me to work making stained glass windows for the church and the chaos of being worried that I wouldn’t finish them—anxiety that had me up at 4:30 a.m. and on the site straight through until 7p.m. each day for over a week—had sapped my concentration. I’d finally taken a day off and was sitting in Restaurante Carucy in the center of Siquirres—a welcome relief after days of being on my feet as I bent over a makeshift table cutting glass and soldering lead. Feeling unfettered for the moment, I let my vision sift through the untold number of faded colors and shrunken patterns of worn cotton clothing parading around town on the backs, thighs, buttocks and chests of its boisterous residents. Disco Evan, across the street, was empty after a weekend of the flashing pin lights and blaring music it employed to draw night owls away from the sticky inky air into the more claustrophobic moisture of sweat dripping from bodies that writhed in unison.
I retreated to our rented house in the hopes that I could find some relief from the furnace of midday but there was not one inch of the interiors that offered anything resembling a respite. I sat and watched the movement of the heat radiating from the tin roof of the house next door, a frenzied swirling haze that danced its way toward me, not in the least threatened by the snippet of breeze brushing across my face. I felt the swelter approach and it unapologetically took my shoulders in its grasp as I willed myself to remain still and let it surround me—any movement, after all, would simply have made its embrace far more intense. It passed and I began to breathe again while silently awaiting the next onslaught. What a way to spend an afternoon! I thought, sweat dripping from the tip of my nose onto the book I was trying to read.
I finally gave up as salty moisture seeped into my eyes and blurred my vision. I let my mind wander over the events of the day before when the church we’d built had been dedicated. Jim and I had been given a plaque with our names on it—the misspelling of our last name somewhat comical, and representative of the lack of detail that made Costa Rica so endearing at times and maddening at others. Jim’s emotions got the best of him when he tried to speak, and he’d told me afterwards that he was embarrassed because big, strong guys weren’t supposed to cry. Before all was said and done, he had almost everyone in the Chattanooga contingent in tears. Emma King had asked us to sign her prayer book when the service had come to a close and as I handed it back to her, she patted my hand as she said, “Please don’t forget me.”
As tough as moments like those had been for me, they had been especially emotional for Jim, as he felt he was closing a chapter of his life, one that had represented the beginnings of a dream he’d held since he’d been a little boy. The group of volunteers we had hosted had become completely enamored with the people in the small town, and it was always interesting to me to see how some groups bonded with the locals while others did not. It often depended upon the women who were with us. One of our volunteers, Prestine, had drawn the children in and welcomed their overwhelming affection with joy—Estevan, Manuel, Carol, Jessica, and the others we’d come to know so well were seemingly starved for her attention and not at all shy about demanding it. Her hands were full the entire time she was on the job site each day, and it was obvious that she was thrilled about it.
I had managed to complete the stained glass windows but we had not been able to install them because the government had decided to shut off the electricity in Pocora during our last day there. Jim said he wouldn’t likely make it back to put them in place until the end of the year so we would have to store them in the Diocesan office in San Jose. This meant that Rick and Christy—two of our volunteers—and I ferried them on our laps while Jim drove the undulant roads to the capital. We had to hold the colorful panels upright because the truck bounced so forcefully they would have shattered had they been placed flat in the bed. Balancing them was a tedious task given the amount of movement the curves threw at the small truck as we made our way through the monster mountain range between the Caribbean Coast and San Jose. I paid close attention to the terrain as we slid along, knowing it would likely be my last time to experience the dusky wetness that birthed such lushness along the familiar ribbon of pavement.
It was near twilight when we reached the highest altitude of our journey, the atmosphere made uncommonly bleak by the rainy weather. Trees sprouting orchids dangled them like jewels they were wearing to the opera or like tiny escape ropes lowered from toy helicopters, the blooms deciding they had had enough of their woody perches for the time being. Having made the trip so many times, I recognized the progression from lower elevation foliage to high mountain vegetation, the density of varied hues of green growing from lush to cloying. As we reached the abdomen of the range, giant bulges jutted from towering peaks and one particular type of tree that had always fascinated me came into view. It seemed fragile like a giant maidenhair fern, its limbs covered in clusters of delicate leaves that fanned out like ostrich plumes arranged symmetrically in a vase. They arced skyward then dipped their tips back toward the ground, making me wonder if I’d ever see foliage as abundant again.
We drove through clouds for miles—the soupiness of the air bathing the sleep-filled world in dankness. Drowsy weather, I thought, which made the mountains yawn into their caverns and nestle into their deep valleys for a good night’s sleep. Dark was wrapped fully around us as we drove away from the last tall slope and the city of San Jose came into view, its lights strung like sparkling dewdrops along the maze of a spider’s web that had been spun throughout the valley and up the opposite hillsides.
If you are new to my blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. If you’ve been following along for a while, you may have noticed I’m not posting as regularly as I have in the past. I’ve launched a new social media consultancy, adroyt, so the mainstay of my energy is going toward building the business as beautifully as we can. I will still be posting here but not likely with great regularity and I would like to express my deepest gratitude for your continued interest in this blog, which has meant and still means a great deal to me.
Some Hint of Myself
We were a few days away from taking our first trip to South Dakota and I had no idea what to expect. We would be attending the Niobrara Convocation, a church convention for Sioux Episcopalians, in Promise, South Dakota. The Bishop had mentioned we’d see a bit of the wild wild west as we traversed the Great Plains—prairie dogs, buffalo, antelope and miles upon miles of barbed-wire fences. Though not as “exotic” to me as the animals he listed, I was battling some pretty sneaky Tennessee wildlife as I tried to protect my herb garden on the mountain, and it had me wondering whether the native animal kingdom on the Plains could be any more troublesome.
For three mornings in a row woodchucks had decided it was their duty to dig around in my newly planted pride and joy—a series of mounds of dirt skirted by carefully placed stones from between which plumes of perennials and knots of herbs sprouted. I had planned this perfect garden for months and it had taken me an entire week to physically create it so I was understandably feeling a bit territorial. I had pegged the perpetrators as our regular visitors, the raccoons, until I caught the groundhogs red-handed one night. Just before heading to bed I had heard a noise that sounded suspiciously like terra cotta scraping on wood. I flipped on the deck lights to see the critters pulling my bay tree out of the dirt, placing it carefully on the deck beside the pot they were plundering. I left them alone, knowing the plant would survive the night in the open, and just before drifting off to sleep, I wondered if I should put some dried ears of corn at the bottom of the steps for them the next evening—a peace offering of sorts. Then I quickly realized how silly the idea was, as they didn’t consider their behavior destructive; they were simply foraging for food.
Jim had built me a remarkable potting bench for planting herbs and flowers, and I’d found the perfect place for it in a nook facing the woods. I was making my way to it to repot my bay tree the next morning when I nearly stepped on a large snake sunning on the deck. I thought I was going to drop dead from fear before I could reach the door to the garage, high-stepping more successfully than any drum major I had admired when high school bands were still known for turning out such prancing leaders!
I shuddered all afternoon thinking about how close I had come to stepping on the slithering creature. When I described it to my neighbor’s gardener, he declared it to be a harmless chicken snake but I felt certain it had been of the deadliest sort. I raced down to the bookstore to buy a guidebook so I’d be able to identify snakes from then on. Needless to say, I never nonchalantly walked around any corner on the deck from that day on, and when I would see an elongated reptile sunning on one of the large, flat rocks on the bluff below, I’d pull out my handy book and see if I could tell its type. It was a ridiculous effort, of course, because you had to get pretty close to a snake to make out its details and I certainly wasn’t signing on for that task.
The next day, we took off for South Dakota before the light had come up on the city and I felt inexplicably nervous on the flight to Sioux Falls as I fingered a newspaper clipping with my grainy visage stamped into it—an advertisement I’d used to mark my spot in Black Elk Speaks. I’d agreed to model for this ad at the request of several friends who owned First Impression, a clothing store they’d just opened. I scanned the image for some hint of myself—some sign that it was really me—and I found nothing that told me I was present when the photograph was taken! In fact, it had been an embarrassing endeavor as I tried to figure out how to pose because I’d never done so. Afterwards, I realized I should have practiced before I went to the shoot but that wouldn’t have occurred to me either. The photographer was completely green so he didn’t have a clue as to how to help me, and I had left feeling self-conscious. That’s what I thought about when I saw my wide smile, the discomfort causing me to jam the flimsy piece of paper into the back of the book as I vowed never to do something as out-of-character again.
I had made it about three-quarters of the way through the story of Black Elk’s story and was gaining a Native American’s view of how their lives were changed by the whites they encountered in the days preceding, during and following the “Indian Wars.” Black Elk, who lived in a log house on the Pine Ridge Reservation between Wounded Knee and Grass Creek when he was relating the story to John Neihardt, said,“…the Wasichus have put us in these square boxes. Our power is gone and we are dying, for the power is not with us any more. You can look at our boys and see how it is with us. When we were living by the power of the circle in the way we should, boys were men at twelve or thirteen years of age. But now it takes them very much longer to mature…Well, it is as it is. We are prisoners of war while we are waiting here…”
Until reading the book, I’d never heard the word wasichu, which means “white person” in Lakota. It was bizarre to be perceived as different because I’d never been put in a situation of minority before. I suppose something told me I was heading into tricky territory given the anxiety I felt as I finished the book, which I closed as we were beginning the final approach into Sioux Falls. I found myself swallowing tears as the medicine man’s words lamenting the moment when Native Americans were relegated to reservations echoed in my mind.
“And so it was all over…I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people’s dream died there. It was a beautiful dream…”
Black Elk’s story had been lived one hundred years before my arrival in South Dakota, and it made me sad that there had been even further decline for the freedom-loving people. “O make my people live!” Black Elk had wailed. It occurred to me that I would likely look back on Costa Rica as a piece of cake compared to the emotional territory I found myself entering in South Dakota. The thought was sobering as I stepped out of the plane and walked down the steps into the heat of the Great Plains.
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In Defiance of the Cold
The mists on the mountain bluff were my only solace—spinning, lifting and descending during the morning hours. We were in the clouds so much their filmy breathing fanned my morning world more often than the sun christened it with its dawning light. I could see the wispy pirouettes as they danced above the falls—water regaling water. The city, still dressed in drab winter garb even with early spring at hand, took the cloudy tears and used them to wash its streets. There were only tiny bits of color in the dullness of the muted world with the first burgeoning of red buds beginning to glow. The bulbs were still sheathed in soft green but seemed to be thinking seriously about opening their faces to the chilly air—tiny star-shapes in pale shades of their future colors aching to slice through the tips of their bulbous heads to celebrate their tender splendor. Japonica was pushing its Carmine-colored blooms from its bare stems as if in defiance of the cold while everything else preferred to patiently await warmer weather.
I thought about how most people wouldn’t think to describe a dreary world as lush but abundance was everywhere. This realization was unfolding in my mind as I grabbed a scrap of quiet for writing in the midst of the events surrounding Jim’s oldest son’s wedding. I lamented to my writer’s notebook, “I can’t wait to get back to you. I have missed your comfort.” Once life had become my own again, I tentatively approached my writing but it felt far away—a foreign thing after the busy-ness that had left me worn. “I have been away from my heart, so now I touch myself tenderly as I review that piece of me that shows through in the faint strokes of my own anxious pen,” I wrote. “Certain words touch me in return and I am sure they are mine. It is an acknowledgement when they whisper back, and deep emotion sparks in me; brings desire rushing forth and my emptiness is filled. My fullness greets me like a friend, but tentatively as if it is unsure how to approach me in my sadness. How can I fault either of us? I had to erect the walls in order to survive, and she was always forced to wait until I was ready.”
As the weeks progressed, the air warmed and the bony tree limbs sprouted their buds like a fine covering of mesh. I made it a point to enjoy the morning lights of the city knowing that the leaves would soon hide them from my view. As I stared at the awakening landscape, I let my mind skip across scenes from my life like a blind person’s hand touching brail in a delicate search for knowledge. As I did, a thunderhead plumed and I marveled at the power it so magnificently wielded as it drew the perimeters of its iridescent edge with a giant finger of light. It fashioned itself into a gilded pillow of moisture and when it unleashed its contents, the deluge wrapped me in a gray world through which puny light fought its way, entering the room tentatively like a tiptoeing mime bent on remaining silent. The storm thrashed against the windows as if angered that I was out of reach. I stood calmly, daring it to try and touch me.
The days seemed to careen along and suddenly the dogwoods bloomed. They unfolded their creamy flowers in concert with the azaleas, which plumped with profusions of color seemingly overnight. With our last Costa Rica trip about a month away, our destinations for the mission work were about to change. We were meeting with Craig Anderson, the Bishop of South Dakota, about repairing and building churches in his diocese, which held nine of the poorest counties in the United States on Native American reservations. We would be working with the Dakota and Lakota Sioux, and he showed us a video that broke my heart as to the conditions these people were enduring. I wondered what had transpired that would have brought them to the point of the poverty and despair I saw in the documentary.
The film led me to search bookstores in Chattanooga for anything I could find that would help answer this question and the options were slim. I found the book Black Elk Speaks and had a difficult time with the pain the story evoked. I also felt an immediate kinship with the keen connection the Native Americans in the story had felt with nature. I looked at everything around me with a newfound awe—wondering if the owl visiting the bluff at night, being a nocturnal creature, ever felt it missed the visual lushness the daylight hours brought to life. Did he sense the excitement of nature bursting forth all around him? I wondered. Of course he would, lighting as he did on tree branches, which a scant few weeks before had been bare, to find a spiky growth like the prickly surface of a piñata beneath his feet.
It was finally warm enough that I could write on the screened porch in the mornings and I loved being so much closer to the waterfall that its splashing was an accompaniment to my musings. I looked to the horizon and recognized the haze that had spawned the name Smoky Mountains—though we were not officially in the chain, I believed our ridges, which held a similar mix of mists and haze between their expanses, were close enough to share the same characteristics. These gaps and gullies, peaks and valleys were once home to a band of Native Americans with as painful a past as the one I would soon find myself greeting. Would I be up to “representing the church” with these people who painfully tapped into my wounding without even knowing it?
With that question resonating, I scribbled a poem on the empty page open in my lap. It would remain a rare first effort that turned out to be a final draft—even more unique because it predicted my experience in South Dakota and Alaska with eerie accuracy:
Plume
It is difficult
to face
someone else’s struggle
when it stokes the fire
of your own
painful burning,
especially when
you’ve labored for years
to swallow the smoke.
-Saxon Henry
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Mountain Song
* * *
We sprinted through the Miami airport to make our connection because the customs queue through which we had been processed from Costa Rica was a bogged-down mess. Once we were finally on the plane to Atlanta, my excitement was making it difficult for me to write—the fragmented thoughts, scattered words and jumbled feelings exploding onto the page in an incoherent mish-mash of joy and impatience. A friend of ours, Jerry, had made the trip with us, as had our priest from Chattanooga. It was the first time I’d been around either of them for as long as a week and I’d grown fond of Jerry’s voice, the inflections that made his southern drawl so friendly had a lyrical charm that only a down-home boy could convey. He and I had laughed for days about the fact that when Jim sent the Padre to the hardware store to buy rope, he’d asked for ropa, which garnered him nothing. The clerk obviously couldn’t understand why he was intent on purchasing clothing when they didn’t sell garments there!
Once home, I managed to capture a few days to myself because Jim was off on a business trip. Sam slept beside me as I journaled the first morning—all fours up in the air, a snoring mass of golden-hued hair. As I stroked his belly, it occurred to me that the value of home was truly priceless. Storms had roared through the night before, trailing in their wake a shooting star. In another mood, I might have taken that as a sign of promise but I was weary and bereft. My goal for the day was to let go of my gaunt frame of mind so I could enjoy the atmosphere in which I was luxuriating as Bridal Veil Falls sang over my shoulder in an earthly percussive arrangement of smattering water against unyielding boulders. A dove’s contented coo reproached me for having any feelings other than gratitude given that I was finally tranquilly at home. I’d been pouring words into my personal journal, which had helped to clear my head somewhat—there was something about spilling the quandary of my life onto its pages that always made room for a modicum of ease. The sun, which had made a personal call as it rose above the fog-choked valley, was casting long shadows on my writer’s notebook and causing the point of my pen where it met the page to gleam.
I was made for this quiet, this solitude, this calm, and I reveled in the fact that Jim’s trip had given me the time to myself, which I believed would help me sort through the mess we’d made of things. As I sat there wondering what changes we could undertake that would help us right our wrongs, the wind rode up the mountain, whistling like the engine of a speeding train. It was then that I noticed it was happily marking time on the porch, its rhythm moving the rocking chair as it took a breather. I loved the idea that the undulant currents wanted to take a respite, and the fact that they had chosen my deck as a hangout delighted me to no end.
Questions as to the quality of my writing were surfacing—the realization dawning that when it was rushed my work lacked the vivacity of the material created during times of complete absorption. Had my work reached the level at which I should be so concerned with publishability? I wondered. I longed for more time for revision, but I had also seen that the process was not always my friend; that the flesh of my poetry was too tender to be ripped apart and expected to heal without exhibiting scars. Was I a skilled enough practitioner to prescribe the proper ointment for the treatment of these lesions?
This question was a quirky one because I wasn’t inclined to write what would be considered “publishable” work anyway. I simply didn’t see myself creating the type of poetic constructs I saw in most of the magazines I read because I felt the work I came across in the mainstream press lacked a certain narrative beauty I wanted to achieve. And yet, I had to admit that I wrote for the approval of others because. “It’s impossible for me to give myself the very thing that I need to feel accomplished: an appreciation from a source other than myself,” I wrote that morning. How vulgar this looked in black and white! I thought; yet, vulgar as it was, wasn’t this the truth for every writer? Even if a writer was unaware of the fact that he or she needed this give-and-take, I bet there were none among us who didn’t crave attention for what he or she produced.
I finished my coffee as these thoughts reached an unresolved end, stilling my mind to focus on the sun as it broke through the cloudbank. The scene was hyper illuminated as she infused the towering billows that fanned out like a long ball-gown with her verve. How glorious would it feel for the upper reaches of your hair to burn—a filmy, shimmering cotton, torn, singed and arranged in a glittery display? I wondered. As I stared into the blazing harshness, a hawk skirted past, dipping just below our rock outcropping as silent as night. I picked up the book I’d chosen to read, watching as the attentive raptor made several circles above the falls. As I caressed the tattered cover of Strains from a Dulcimore, a book of poems by Emma Bell Miles, the hawk keened twice and then dove earthward.
I thought the moment was remarkably serendipitous, as Miles had once ambled along this very bluff gathering inspiration for her writing, her watercolors and her sketches. Had she also marveled at the quality of the light, the hawks, the waterfall as she traipsed through the woods so long ago? Her world—in the 1890s—was one of a densely forested mountaintop sprinkled only with the occasional cabin, a far cry from present-day Walden’s Ridge with its pricey real estate and busy streets.
Her other published works included The Spirit of the Mountains and Our Southern Birds, but it was her poems that moved me, and I felt grateful to have had the time to sit with them as the sun climbed ever higher in the sky, setting the yellowed surface of the worn pages I flipped through aglow:
Mountain Song
Sing me another song tonight—
Tell me a story, Love—
A queer old dear old dreamy tale
Of gulch and cliff and cove;
A song of wimpling waters where
The trout’s white bellies gleam;
A story scrolled against dark pines
In wood-smoke blue as dream.
Sing me a song, low, elfin-sad,
That mountain-folk know well;
Tell me a tale of candle-light
In cabins where they dwell.
For O my heart has ached to these
Ere love began to be,
And you, Dear, are but part of this,
The life you lent to me.
-Emma Bell Miles
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The Puzzle of My Life
It’s remarkable how quickly #LetsBlogOff comes around and the topic today is “Where do you get your ideas for creating what you do…Do you have a favorite writing table or a quiet corner in your house or apartment?” My ideas have varied birthing points but rest in only one repository—my writer’s notebook—which carries them forward, keeping them safe and alive until I’m ready to use them in projects such as this memoir. I’ve been in the hospital for a week—heading home today I hope—and I’ve filled page after page with sensory perceptions about my time here that I know I will use somehow somewhere. My Lucille Ball-esque run-in with the ice/filtered water machine is likely the only thing you won’t be seeing recorded anywhere amongst my copious notes (a girl’s gotta reserve some dignity!). To see how other #LetsBlogOff participants glean their creative ideas, click here for a full list.
The Puzzle of My Life
We were back in Siquirres. The morning had dawned rainy, the tip-tap of large drops drumming the tin roof making me so drowsy I slept longer than I should have. When the other noises of life finally penetrated my consciousness, it was the birdsong that capped all the other sounds. It was, in fact, always difficult to ignore in surround sound but I had to admit on that particular morning there was a difference—suddenly, the twittering of the birds seemed positive, quite a turnabout for me given how negative I had been of late.
I was far from proud of that and I wished I could learn to be different but I was having a tough time making an altered attitude stick. “Maybe it is time for me to grow up,” I wrote in my writer’s notebook, which was normally sturdy but was so damp it had become pliable—flexible to the point of disintegration. Was it possible that the environment here would help me to become strong if I could learn how to be more flexible or would I fall apart as quickly as this pressed cardboard book I’d grown so dependent upon?
Kimberly and Gertrude were taking the bus to Siquirres so they could have lunch with me, a break from the grind that I celebrated. I would give Kimberly the Barbie Coloring Book and Crayons I brought her. Little did I know as I placed them on the table in the kitchen they were bringing me gifts that would mean much more to me than the silly nothings I had brought from the states. Mrs. Green had sent me a wooden calendar. I was moved and humbled by its exquisite craftsmanship and the beauty of its presentation. She had made it, which meant all the more, and this level of generosity was so in keeping with the deep respect the people continued to show me.
Having news of her made me remember how close Gus and Mr. Green seemed. They would sit for hours on the porch talking about the most inane things, and every chance I had, I would light like a fly on the wall to listen in on their musings as I crouched in the corner of the porch. I learned that Mr. Green gleaned most of his medical inclinations, for which he was touted, from his wife. She was always recommending this treatment or that one, such as a “prescription” for Marcie, who had a sore throat. Mrs. Green insisted that she mix banana vinegar with black pepper, heat the mixture, and gargle it.
One day one of our volunteers had asked Mr. Green if he could think of anything he didn’t have that he might want. He thought for a long time, his ample lips pulsing as he rubbed the knob of his chin, then finally answered, “It would be money. I have everything else.” I was sitting with him one afternoon when a harmless crazy man, well known around town for his antics, passed by. He had a yellow ball cap socked on his head sideways, the bill pointing to the right making him look far younger than he was. Rick Astley’s song “Never Gonna Give You Up” was blaring from the house across the street and he began dancing to it—quite well actually. When the song trailed off, he opened his mouth wide, looking side to side to see if anyone was admiring him, then held his hands up in the air, fingers splayed, as if to say, “Hold your applause!” Mr. Green and I laughed until we were doubled over in pain.
The rain had finally stopped and the sun was shining brightly. This was the tropics I remembered: sultry to the point of suffocating. The mosquitoes had multiplied greatly from the abundant moisture and I was battling a swarm of them when I bumped into Philip Wheaton on the way back from breakfast. A jack-of-all-trades who prided himself in the breadth of his skills, he had visited the job site several times, and was now helping with some of the new church’s paperwork. He typed with one hand flying and the other resting on the edge of the typewriter—his shoulders moving back and forth with the rhythm of his characters as they indented the paper in fuzzy black blobs.
He was tall and loosely jointed. Not too well groomed, yet not dirty. It was as if he’d been haphazardly put together and I marveled at his thin sideburns extending almost to his mouth. They angled off to a point as they reached for his lips, little more than skinny triangles of graying hair. His eyebrows were barely there, but the hair that did remain was wiry and unruly. He had a great deal of personality in his eyes, especially when he smiled. His great receding hairline was combed back, lending his sideburns more prominence and giving him the appearance of a scrooge or some other Dickensian character. I pegged him as rangy as he ambled along on spidery legs. He was almost hyper about his work, or extremely intent at the very least. As he talked about this project or that project, his brown eyes danced in his wide, creased face.
I was terribly homesick, was missing Sam so much I ached with it. I had brought a jigsaw puzzle to work and it had helped me to pass the time, but as I worked it, I thought of how simple it seemed to put together piece-by-piece compared to the puzzle of my life. I looked around the large front room with its alternating dark and light wood floorboards, walls made from the same, strong dark wood plentiful in Costa Rica—some of which had been painted yellow. In that moment of observation, I felt more isolated than I could bear but I couldn’t let the longing hold: the feeling was far too melancholy. I stood so quickly the chair crashed to the floor behind me, then headed to the kitchen for a glass of water. I felt ever more alien in the sparsely equipped room with its tiny refrigerator and petite stove, which were dwarfed by a huge porcelain sink spouting only cold running water.
I gulped down the water as I sunk into a chair covered in faded Naugahyde—the once bright pink, caramel and pert green flowers on the upholstery long faded to pastels. There was a tan mat woven from rushes under a tiny coffee table draped with a bright, though very dirty, linen shawl, which had been stitched with a decorative motive in silk threads. The furniture was straight and hard, and I sat on the clammy unforgiving upholstery thinking how relieved I was that I’d be heading home to greater comfort the day before my 31st birthday. I’d been trying to think of a way to sum things up as far as life in Siquirres was concerned and I’d hit upon the theme that life vibrated: music, birdsong, weather, the vivacity with which everyone spoke—everything vibrated. I might have given the idea “life vibrates” more power if my thoughts hadn’t been as dry and cracked as the dustbowl. There was no spark for the jungle, only the excitement of going home.
As I approached 31, I made the commitment to myself to try and rebuild whatever it was that was broken in me—not remake it as it had been but to refashion it into something stronger and real. God help me do it right this time, I thought as I packed and let the thrill of the fact that the next day I would be “home, sweet home,” fill me with hope.
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Otra Ves
Our move to the “mountain house,” as we had dubbed it, was in full swing. I was surrounded by boxes and awaiting the arrival of the moving van. I would be so happy to get the chaos behind me and snuggle into the new surroundings as I put life back together piece by little piece. And yet there was a bitter-sweetness to it all: it was my last morning at lakeshore and Mother Nature had sent a fogbank to wrap me in cotton wool as I sipped my hot mug of coffee standing on the deck that now had none of the homey touches it once held. The sun, dulled by the moisture’s mantle, was rising ecru, its reflection dimmed on water bathed in wispy steam as the lake’s warm body fended off the chill of the air.
I was pouring as much creative energy into my writer’s notebook as I could snatch from my busy days—knowing my nesting into a new home would make it difficult for me to settle into any intensity of writing beyond what felt like water in the desert—a meager smattering of liquid on a vast expanse of parched sand. The mornings were becoming quite chilly, the blooms on the flowers shivering as the cool breath of changing seasons touched their softness. A cloud, flat and gray—looking cold as marble—obscured the sunrise as it floated a delicate orange through powdery blue with the day’s progression. The phenomenon of a mood only a morning could hold was fleeing right before my eyes as I watched in wonder.
As the light changed, I wondered how I had managed to build a relationship with someone whose thinking was so opposite my own. Jim and I had watched the movie Barfly the night before and as I was admiring the acting, he said he saw no point to the film; that it was ridiculous. I disagreed but knew better than to challenge his stance. As far as I was concerned, in one line, the plot made its point when Mickey Rourke’s character, Henry Chinaski, remarked, “No writer can actually write in peace.” The comment seemed off-handed, of course, but that was just good screenwriting and directing. The line exploded in my head, haunted me as I slept, and stayed with me to jangle my nerves as I watched the orange sky spark into a burst of light. Could this possibly be true? I wondered. I craved peace, craved a settled life in which I could breathe and write. Would it be more of the same procrastination if I did somehow have the calm I believed would support a writing life? This thought unnerved me because it was the idea upon which I was pinning all of my hopes and dreams.
“My writer self finds only tiny cracks in which to sink her fingers as she climbs the shear rocky wall of this bustling life,” I wrote later that day. “She squeezes me down to try and seep through, just as a footfall on the crack blocks her light. She muses her next move only to crash into a ravine—bruised, battered and silenced.” This frustrated piece of me held sway—pouting through the throngs of life’s activities that included a mix of formal gatherings and private parties, vestry meetings, and a brutal exercise class I was taking to try to punish myself back into shape. She grew even more silent during a ski trip to Steamboat even when I spent a gloriously quiet day propped in front of the fire while the others were off skiing. I couldn’t eek a single word from her, and she and I seemed to be officially polarized in a nasty standoff. I just kept making notes, even inane ones, hoping I could tease her out but she was a stubborn conscientious resister.
As I settled into the mountain house, there was plenty to record. I was in awe of the natural mood of the landscape surrounding the home stepping down the cliff. The fog was different at the higher altitude—like sheets of milky white tissue paper that hung behind the trees, coming and going as it desired. The lake in the distance below blazed like a diamond when the sun burned the cottony moisture away. It was colder “on high” as well, and the wood slats on the deck sparkled with dainty flecks of ice. Frozen veins of it had carved lifelines into the glass-topped table, the pattern sophisticated and intricately elemental.
Though I was reveling in the newness of these surroundings, it took the desert surrounding Santa Fe, New Mexico, where we went to shop for fine art for the house, to bring my writerly voice back. As we rose above the clouds on our way there, we broke into sunshine illuminating a tightly knit cloud-front that could have been a lumpy sweater made of knotty virgin wool. It was unrefined and rough, but plush. I wanted to run my fingers over it and fondle the softness, even if it would have disintegrated at my touch and wisped through my outspread fingers like the vaporous matter it was rather than the wooly coat of a sheep that I imagined it to be.
“Snow should look like this as it falls thick and heavy, clumping here and there,” I wrote, “but Mother Nature retains the control when the wet flakes fall, orchestrating the blanket to be flat and uniform, each flake joining hands with another to bond in a perfect union. Yes, control is everywhere.” Why couldn’t my own humanly bonds hold this level of perfection? I wondered. I suppose the answer should have been obvious—I was not even remotely in control of my situation, but then who ever is?
We drove to Taos while we were in Santa Fe, through a vastness that illustrated how ethereal rain could devour the much weightier earth, chewing great rivulets wherever it willed. The sun glowed crimson on the rocks, the sheen of the dirt seemingly aglow from within. Snow rested in rocky furrows worn by time and weather, and I thought about how this was certainly another world—stranger than any I’d ever known. I wrote a poem entitled “Otra Ves” on the plane on the way home, a few good moments entering into the mix but not much of it remaining worthy of a mention. The point of the poem is missed opportunity, particularly where dealing with Native Americans was concerned. In hindsight, I see now that life was preparing me to deal with this issue head-on. “Otra Ves” ends: “We wouldn’t force custom to sleep/ We’d teach the wilderness to be wild/ We’d cling to our land like a child to its mother.”
I came away from the desert of New Mexico feeling awed by the light and the landscape, questioning, Where else in the world would cacti bloom from heaps of pure white snow? And with that paradox looming, I turned away from a time of materialistic gluttony to prepare to head back to Costa Rica. What might the tens of thousands of dollars we had spent on art have done for the people we were “serving” there?
If you are new to my blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. Thanks for stopping in!
I had great fun in being featured on the Building Moxie site yesterday. To see a few poems that I continued to work over the years (I didn’t abandon many, only the ones like “Otra Ves” that could never find their centers) click here.
Yes, Man!
I had stayed in Siquirres for the day, and my head was pulsing from the dampness, the moisture-laden air making every noise more intense. There was a great deal of sound in the outpost town. A bell clanged at the Catholic church as the priest chanted into a microphone, the words reverberating inside the big, domed concrete block building then echoing out into the streets. Roosters crowed and the train engine thrummed as the cars clanked into each other, jerking as the slack was eaten by motion. The furniture maker next door running his lathe paused, letting it sputter noisily until he was ready to make it sing again when it happily devoured the wood he fed it. Dogs barked and squealed as large diesel trucks coughed on the highway, then throbbed as the drivers employed their Jake brakes to slow down. A motorcycle fired and a baby cried simultaneously, the twin sounds creating a high-pitched drone.
When the woman next door sneezed, it sounded as though she was in the room with me—that’s how little noise the wire mesh covering the windows held back. As I listened, I felt so absorbed that I transcended the noisemakers to become the noise: I wasn’t the furniture-maker but the whine of the lathe. I wasn’t the priest or the microphone, but the chant. I became the woman’s sneeze, then, as her hands moved from her face to the dishes she was washing, I was the sloshing of the water rendering her hands raw. I wondered if her skin was as rough as the palms of the elderly black man’s who had shaken my hand the day before. His fingers had felt as though he had laminated them and then roughened the plastic coating with sandpaper. He’d said to me, “Good to see you, yes, man!” The minute he turned away, I was met with the surprise of my life. Barney trundled up with a bouquet of flowers and a basket filled to the brim with chili peppers and limes.
He handed me the gifts so self-consciously that my heart melted, an intimate moment that held only for a fraction of a second because the weather upped the ante on its terrible mood and gushed water, sending us both running for shelter. We stood beneath a tarp that Jim had strung between two trees and I struggled to think how I could recapture the mood so I could express my gratitude for his gift but he sensed my earnestness and pulled his poncho over his head, tossing back a goodbye and slipping away. As he sloshed through the thick mud toward home, I watched as he passed a pregnant dog drinking from the gutter—the filthy water rushing under her lapping tongue. He didn’t so much as glance in her direction and I stood there regretting that I hadn’t been able to tell him how much his gesture had meant to me.
I couldn’t begin to guess how many inches of rain had fallen in two days’ time. I simply knew it was significant because my clothes were so soggy they were beginning to sour. Lying on the bed in the mornings was unfriendly because the sheets were so damp they might as well have been pulled right from the washing machine. This was difficult for me and I hated myself for it. I kept thinking that surely there was some way for me to find the strength to gracefully deal with all of the challenges I faced, but good-humored acceptance continued to allude me.
After a brief respite of sunshine at midday, the sky scowled and the thunder rumbled yet again—threatening from a distance and growing louder with each chant. The ocean must have been aiming to free itself from its contents because water came in great torrents that obliterated everything from sight. I unpacked the goodies that Barney had given me and realized I was growing a bit more accustomed to life in a country where sweet limes were bitter and they called avocadoes pears. I would always remember mornings that dawned with jungle noises and the smoky smell of a fire lit by the furniture maker next door as he burned the sawdust from the previous day’s work—neither of which I’d ever experienced in my life until I had landed on a coastal plain where moss dripped like an old man’s beard from misshapen trees.
We were preparing to head home and I felt happy that I’d spent some time working on the material for “Mornings at Lakeshore” because we would be moving into a house perched on a beautiful bluff overlooking the northern edge of Chattanooga. I’d be floating far above a bend in the Tennessee River rather than steeped in the lake setting that had inspired the writing. My new world would be a levitating one that I imagined would bring its own fascinations, the newness of which I hoped would make up for my loss of the lushness of living on the water.
I watched Jim fuss with the building as he prepared to leave the job site unattended—his expression as earnest as a mom preparing to send her child off to the first day of school. I understood his passion for what he was doing but I felt the eggshells I’d been dancing around on were becoming slicker and more dangerous as the viscous of the slimy whites thickened every time I made a pass over the crumbled mess. At what point did the tiptoeing stop making sense? I wondered. At what point did I say screw it and set my heels firmly on the ground?
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Slack from Hunger
With the man’s help, we finally found our way to Guapiles, which had a well-appointed clinic—by Costa Rican standards—that served the workers of the town’s banana processing plant (to use the word loosely). I sat with Barney as the clinicians examined Jenks, who winced as they tried to pull histee shirt up over his uninjured arm. When they attempted to lift it over his head, disturbing his busted arm, he yelled, “Cut the damn thing off!” Even after his outburst, they were so frugal they were reluctant to damage the cement-stained shirt. Jenks grabbed the scissors from a nurse and clipped the bottom edge, holding the gashed fabric up to her. She grabbed it from him and finally ripped it from his body. The next insult awaiting him was at the end of a trek to the facility’s interior courtyard, where they splashed the construction muck from his upper body with rainwater from the roof that had collected in a barrel.
I could tell by the grimace on his ashen face that he was feeling beset, understandable given that the level of medical care he was accustomed to receiving was so superior to this, and it must have made him feel all the more uncomfortable in his weakened state of mind that conditions were so unsanitary by our standards. Needless to say, he was over it by the time he’d been given a sedative and had a cast covering most of his arm. The episode really shook me up and I couldn’t sleep that night for reliving the nightmare of seeing his twisted body on the rock-strewn dirt, not knowing until he stirred if he was dead or alive.
The next day, Barney had a grand time telling Jim his rendition of our road trip. The inevitable disclaimer—“I don’t know the word in Spanish” was followed by, “I’ve been here so long, I’ve forgotten my English!”— peppering his repertoire to the point that it was comical. He was a small man—all of about 5’5”—with a protruding stomach that pillowed above the sagging waistband of the same pair of baggy jeans he always wore. The frayed pants were perpetually sliding down what was left of his naturally narrow hips and butt, which had become gaunt from years of inactivity. The only way he managed to keep them up was a continual cinching of a ratty leather belt threaded through the two existing loops on the waistband. The action was repeated so often it was as if he had a tick of sorts or was participating in a bizarre modern dance sequence during which his hand reached for the belt and flung the end of it in the air at waist level. He’d snap his arm straight and then lower it to his side exactly the same way each time, as if the dance’s end required the formality of an Olympic dismount.
He claimed that his body was ravaged not by alcohol but by the “action” he saw in Vietnam, which was unlikely. I knew this because once when he was particularly intoxicated he had admitted to me that his supply ship had never been anywhere near warfare and that he’d been a cook, not a soldier. His face was rugged and pocked with sores, and I’d never seen him when he was clean. His head was covered in a furry pate of hair, which wasn’t long but was never perfectly shaven. His mouth was drawn in from missing teeth—frozen in a sort of perpetual circle—which meant his words came out in mumbles even before they were slurred from drinking.
His eyes were large and hooded, and he would stand with his hands on his thin hips, staring off with his lids closing slowly as if he were dropping into a trance. After a few seconds of swaying, he would jerk back to reality and immediately begin to prattle on about nothing even if someone else had the floor. At first I thought he just talked to hear himself speak but I later realized it must have been the only thing keeping him awake.
He had a filthy mouth and was indignant about almost everything, including race relations. He’d been born in Birmingham and had been in Alabama his entire life until he had “sailed off to war.” The small jungle village he had decided to claim as his new home allowed him to stay backwards by the sheer fact that he could barely communicate with anyone. It was clear that he stayed because he knew he would be left to his own devises as he drank, ranting and raving his way through his waning years.
The environment supported his hostility by fostering the old prejudices because no one there cared what he thought about the ancient state of affairs in a faraway country. Though he was so insultingly verbose, I tried to look beneath his diatribes and I found that he wasn’t a cut-and-dried hater. One of the clues was his relationship with his dog Girl because he cared for as well as anyone I’d ever seen nurture a pet. He was always talking to her as she limped along beside him, wagging her chewed-up tail at the sound of her name.
Another way I recognized heart in him was through his adoration of Jim. He called him Mr. Jim and would go to the ends of the earth and back for him. He was continually asking him questions about things and I watched one day as he queried why we were using the catheads we’d brought from the states on the ends of the protruding rebar. As Jim explained, his gaze followed his pointing finger to the top row of blocks and it was as if he was receiving the equivalent of the ten commandments, so great was the look of hero worship in his eyes. He followed along as closely as his Guaro-addled brain would allow, scratching his head as his puckered lips to mouth some of Jim’s words a few beats behind. “Well, I’ll be,” he said when Jim paused to see if he understood what he’d said. “Did you hear that, Girl? We got fancy stuff here in our little town thanks to Mr. Jim, don’t we?”
I’d seen Jim bring this out in people before but it was exaggerated in Barney, who seemed to have a desperate need to believe in something, and Jim seemed to be that “something” in spades. I think he loved his dog so much because she gave him unconditional love, and I suspected he’d never had anything close to that, which had left him starved for it. The only thing that made sense regarding his oversized Jim adoration was that he saw in him the kind of man he’d longed to be but had given up on when he had sunk into an alcoholic fog. He wasn’t so unlike that beaten-down dog that roamed the Pocoran streets—skin and bones and hungry eyes, all gone slack from hunger—though Barney’s starvation was emotional rather than physical.
I heard M Scott Peck’s words echoing in my head: “We must be willing to fail and to appreciate the truth that often life is not a problem to be solved but a mystery to be lived.” I’d not understood this when I’d treated the sick dog’s condition as a problem to be solved rather than letting the mystery of life play itself out at the animal’s expense. Why did this have to be so hard? I wondered. At what point had the mystery gone out of Barney’s life, and how in the world could I get mine back?
I certainly didn’t want to end up carrying around as much pain as Barney did but it sure felt as if that’s where I was heading if I couldn’t get a handle on myself. “Problems do not go away,” Peck wrote. “The truth is that our finest moments are most likely to occur when we are feeling deeply uncomfortable, unhappy, or unfulfilled. For it is only in such moments, propelled by our discomfort, that we are likely to step out of our ruts and start searching for different ways or truer answers.”
Could it really be that I was experiencing some of the most splendid moments of my life? What a strange concept that seemed given the confusion that reigned inside my head and my heart! I was riddled with unhappiness and was lugging a heavy load of grief from feeling so unfulfilled. The idea that, in hindsight, this discomfort would shine a light on my finest hours seemed far-fetched and foreign to me.
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This is a participating post in #LetsBlogOff. To see other bright minds exploring the question "What are you carrying? [Everybody goes through life and picks up stuff as he or she goes. It’s pretty much part of what makes us, us. But what is this stuff? Or in the terms of this week’s Blog Off, what are you carrying? Is it cherished mementos from your life and times or is it the scars and hurts of disappointment and missed goals? All of us carry with ourselves the trappings and scraps of the lives we’ve led.]" click here for the full list of #LetsBlogOff superstars!
See Her Way Into Daylight
We’d been mostly catching rides from people as we traveled between towns, and more times than not we suffered through vehicles like Donald’s. I wasn’t a car snob by any stretch of the imagination—the ugly brown-gold Vega I had in high school proof that I’d drive anything—but I did feel that penny-wise/pound-foolish treatment of a piece of transportation was just plain silly (Okay, I know that love affairs between guys and their cars are legendary but this is an altogether different subject!). If a vehicle was meant for getting one from point A to point B, shouldn’t it do so in a modicum of comfort and dependability regardless of its appearance? Apparently not in life according to Donald, who had recently had his truck repainted—a bright red color with a giant yellow and black zigzagging stripe taking over its body so grandly that the paintjob screamed, “My next life will be lived in Las Vegas!” In order to afford the makeover, he’d ignored the lack of padding in the seats, which meant the body took a beating careening along the bumpy roads. He had also ignored the engine that coughed and the clutch that stuck so unmercifully that the stick shift beneath the floorboard must have been worn down to the thickness of a swizzle stick. We were basically riding along in a very pretty tin can with a passenger-side door that would only open from the inside, and a driver’s side window that would not roll down. I suppose it won’t surprise you that he was gushingly proud of his ride!
As I contemplated what to do with my writing, the only other person around was a local laborer Jim had hired who spoke only Spanish. He had a bitter expression stamped on his face that made me slightly afraid of him so I ignored him as I massaged the material, hoping he would give me the same courtesy. Staring at the page with my scrawling handwriting on it, something occurred to me that I should have realized before but had not: I had a tendency toward personification in my writing. The notes I’d made in Panama City Beach were proof: “The sky presents a checkerboard this morning. Sections of dark and light march from the ocean as if a known pattern had been predetermined. Maybe there was a director just offshore, giving each parcel of sky its dancing orders so that the segments would prance and twirl in pretty order. This is the type of day I long to have tucked into my routine—a day when everything feels moist and beautiful; a day when I can sit on the sofa and read, and no one will think ill of me. The ocean knows how to escape the jouncing mental activity of life: she whispers it every day—her breathy foam cascading, the chorus one of dark and light, of wetness, of persistence, of murmuring hypnotic laziness. She sings to me that it’s okay. I want to sing back but I have no idea what to say.”
As I scratched out words and jotted ideas into the margins of the overly messy sheets of paper, I heard the crunch of tires on gravel. I didn’t think much of it until I heard Jim yell, “No!” as forcefully as he could. He jumped out of the truck so quickly I wondered if he’d remembered to put it into park. I followed his angry gaze and saw why he was so upset. The man he’d left laying block was sawing off the rebar that was protruding from the top block at the edge of a window opening. I guess it was the first time the laborer had seen rebar and he didn’t realize that if the stabilizing steel wasn’t running through the heart of the blocks, a strong earthquake could tumble them like they were children’s toys. Jim stood there with his arms akimbo, shaking his head while the man kept on sawing. Since no one within shouting distance spoke Spanish but the laborer, there was no way for Jim to get it across to him that he shouldn’t be removing the rebar. Yelling “no,” which he understood perfectly, mattered not for whatever reason as the spiteful man defiantly moved his blade rhythmically across the metal, each grating pass causing Jim to wince.
With the laborer’s ineptitude, Jim’s mood turned dark so I tried to stay out of his way. I did so that evening by losing myself in revisiting “Mornings at Lakeshore”—the series I’d started and then abandoned. I figured the writing would help me to feel closer to home and maybe—just maybe—at some point would gel into a collection of poems. But even if all I gained were a couple of hours for pleasing explorations, it would have been time well spent.
I sat at the kitchen table of our jungle house, positioning my notebook to catch as much light as I could from the bare bulb hanging from its socket in the ceiling, and remembered home where there was beauty at the edge of a vibrant lake:
• Her eyes sparkled yesterday like a satin dress of brilliant blue. She peeked at me from between the rooftops as I climbed the hill, her sunny sheen illuminating everything around her like a dazzling smile. She is dark now, as it is too early for her to show herself. The streetlights twinkle on her surface as if hinting at the glittering eyes she will use to see her way into daylight…
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