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Here is the Spirit of the Lord
Norman Rockwell's "I Will Do My Best."
I walked the streets of Wagner feeling as if I’d been drawn into a vacuum; as if I had been shunted back in time to when I was a kid in Lookout Valley. Every time I tried to push myself to a better explanation, I always came back to the premise that it felt just like moving through a Norman Rockwell painting. With my past coming up so often, I couldn’t help but draw some parallels, one of which was the fact that southerners shared with Native Americans a penchant for telling tales. Grandpa Joe Packard was a prime example. He was a natural storyteller with an ease of delivery that made his humanitarian lessons he plucked from the mundane events of everyday life and infused with spiritual admonitions refreshing. He often presented the sermons when Father Hobbs was away—pacing in front of the congregation with his hands folded behind his back, his head slightly bowed in concentration.
His baggy, threadbare pants—about a size too large for his frail frame—were cinched to his waist with a disintegrating leather belt. The frayed collar of his shirt, only partially closed under a haphazardly knotted tie, encircled a thin neck the color of cinnamon. He was missing more teeth than he had retained so his smile puckered his swarthy face when he was amused, lending him the appearance of a wizened old coot with a tender core. His habit of removing his badly smudged glasses to wipe his brow with an oversized handkerchief created a series of small silences throughout the service. Though he wasn't doing this for the dramatic effect, a certain tension built as he slicked back the few sprigs of gray hair clinging to the top of his head, replaced the dark rimmed glasses and jammed his hanky back into his pants pocket, leaving the pointed end of one corner trailing down the leg of his trousers.
One of my favorite sermons recounted a man's visit to his home. The fable opened with the visitor saying he'd heard that two of Grandpa Joe's three horses were for sale. They talked briefly about care and feeding; and then the man, whom Grandpa Packard called a fine Christian fellow, left. The next morning when Grandpa Joe awakened, the two horses were missing, leaving his lone saddle horse standing in the enclosure.
"They must have gotten out and gone down to the crick," he said to the attentive congregation, "so I headed in that direction." When he rode past the barn belonging to the man who had paid him a visit the day before, the horse he was riding sounded. In reply, the missing horses whinnied from inside the barn. He swung from his saddle and slung open the barn doors, releasing the horses from their confinement. Once he had returned home and secured the horses inside the corral, the "so called friend," as Grandpa Joe called him, paid him another visit. He told Grandpa Packard he would need to be compensated for keeping his horses safe overnight since they had wandered onto his land. Grandpa Packard told him that he wasn't paying him for stealing his horses.
"You can't expect to come to church and say, 'Here is the spirit of the Lord,' and then live without religion in your everyday life," cautioned Grandpa Joe in conclusion. "God must also be in your home for him to be real." Witnessing the faithfulness of these Native Americans who had fully embraced Christianity seemed to be pushing me into a silent but intense rebellion. Why was it so hard for me to respect that they were willing to trust an institution that had mistreated them in the past? I fumed. The stance of the church had certainly changed for the better over time, and I had no idea what it meant to want to be accepted by an exclusionary culture in almost every other way. These loyal Episcopalians seemed to have no use for the question "Where was God when the Hotchkiss guns were blazing?" so why should I? I knew it wasn’t that simple; knew the ideal of the Christian God they held in their minds wasn’t responsible for the fact the white man had slaughtered so many Native American people. But the wasichu—categorically responsible for the atrocities—had forced the deity down their throats along with everything else white culture had deemed sacred.
Christian scripture proposes that the church was built on the foundation of God. Those who came to spread God's word seemed to have relied solely upon this immovable foundation—like a concrete slab, a crushing weight—forgetting that Christianity's most important building blocks were the humanitarian teachings of Christ. Had we come any closer to treating those who are different from ourselves with respect and equality? I questioned, knowing full well the answer was that we had not. The disadvantaged situations in which so many of the Native Americans still lived proved we had made so little headway as to have essentially gone careening backwards.
I let the arguments filter through my mind as I enjoyed the late autumn sun, which was still strong enough to allow me to sit outside in a lawn chair with only an occasional shiver from the brisk breezes. I was reading Ian Frazier’s Great Plains, fascinated by the author’s descriptive abilities and his natural style of relating history—both painful and playful. His story of bumping into Le War Lance, an Oglala Sioux, on the streets of Manhattan was one of my favorites. Little did I know, ten years after reading this, I would make my own move to New York City. The thought of that would have sent me into hysterical fits of laughter at the time, as there was nothing about my life that would have predicted it.
Frazier recounted conversations with Le War Lance, the last of which ended with the Native American singing several songs for him in Sioux. “Then he opened his eyes and looked at the Sixth Avenue masses hurrying past with shopping bags,” Frazier wrote. “’Immigrants!’ he shouted. He shook his head and said, ‘Pasta!’ Did I hear that right? Yes; in tones of exasperation, as if this was really the last straw: ‘Pasta!’”
The only Sioux music I’d heard on the reservations was a wide range of Christian hymns sung in the lilting language—the oddity of hearing the plodding rhythms intoned in the foreign language not quite strange enough to keep the songs from sticking in my mind long after the service had ended. “Rock of Ages” was flowing through my head as I walked into the house for my weekly call to Davelyn, my therapist—one of the only things keeping me glued together during the upheaval I was experiencing.
This hymn, sung in Navajo, proves my point that the tune still carries even though the words are unfamiliar. Today’s installment of this memoir is a participating post in the Let’s Blog Off series. To see what songs drive others to the brink, click here.
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The Heavens Cannot Contain You
Emily Dickenson wrote, “You cannot fold a Flood—/ And put it in a Drawer.” As I left Costa Rica behind and became more entrenched in South Dakota, I felt this was my task as I labored to make sense of the impressions and feelings I’d been gathering during our work in the mission field. The church in Greenwood was haunting me a bit because removing the stained glass windows had made me feel as if I had marred its historic beauty.
In her account of the Church of Holy Fellowship in That They May Have Life, Sneve states the little chapel was first built in August 1870 from logs gathered by the Native Americans who wanted a church on their reservation. In 1873, W. Hobart Hare, then Bishop of the newly created Missionary Jurisdiction of Niobrara, arrived at Yankton Mission and chose the church for his cathedral, making his home in a small room built onto its side.
The frame structure as we found it in 1989 was not the original; it wasn’t concecrated until 1886, a little over one hundred and three years prior to my setting foot within its interior. One of the things I enjoyed about the history of the Native Americans I was reading was their embracing of their own brand of mythology, something they seemed to do as naturally as any culture since the ancient Greeks. In fact, they were steeped in their version of it before the wasichu, white perople, came along and tried to snuff it out of them. In Yankton, one of the earliest bits of folklore relating to the Episcopal Church and its entrée into Sioux society was the story of the conversion of Tipi Sapa, then the chief of the Yanktonai whose name in Dakota meant Black Lodge. Once “Christianized,” Tipi Sapa had been given the name Philip Deloria, and was lauded as “the best known of all the native priests.”
Sneve tells the story of the day his interest in the church was first recorded. Tipi Sapa rode by the chapel in full war regalia when he heard the congregation singing “Guide Me Thou Great Jehovah” in Dakota, stopping for a brief time to listen to the words. He didn’t enter the chapel at that time but returned another day to hear the same hymn being sung. It is said the words of the hymn made a great impression on the young chief, a response that eventually led him to approach Bishop Hare about becoming a Christian. When the bishop told him he must give up his chief’s position, cut his hair and become a simple man, he balked, stating he was a powerful chief. He did eventually agree to be baptized, and was sent to Shattuck Military School for the beginning of the inculturation process. After completing the educational and service requirements to enter the priesthood, he was ordained a deacon at St. Stephen’s chapel on the Cheyenne River reservation, then spent forty years on the Standing Rock reservation as a priest, returning to the Yankton reservation in 1925. His story expanded beyond Native American culture when his visage was placed in the reredos of the high altar in the National Cathedral in Washington, D.C.—one of only three Americans among the 98 “Saints of the Ages.”
My stewing about the abandoned chapel in Greenwood was the counter opposite to how the parishioners were feeling. I could have taken a cue from my grandmother, who loved to say the more you stirred shit, the worse it smelled but I couldn’t let go of my disgust over how the church had treated Native Americans in the past. My viewpoint was not shared by the Wagner congregation whose excitement had reached a fever pitch by the day Bishop Anderson was visiting for the groundbreaking. Just before his closing comments for the ceremony that day, the Bishop read a prayer: “Oh Lord God of Israel, the heavens cannot contain you, yet you are pleased to dwell in the midst of your people, and have moved us to set apart a space on which to build a house of prayer: accept and bless the work which we have now begun, that it may be brought to completion, to the honor and glory of your Name; through Jesus Christ our Lord, who lives and reigns with you in the unity of the Holy Spirit, one God, for ever and ever. Amen.”
He then remarked how the great spirit had waffled through the framed shell of a building we had been standing within, the studded walls surrounding a rough concrete slab foundation still fully open to the elements. “The heavens cannot contain you,” he said, raising his hands to let the wind stir the papers he held. I thought this was a fitting statement considering how the strong breezes had fluttered our clothing and programs throughout the entire service. The pages of the Bibles the lay readers had been holding danced as if in a ceremony of their own as the men tried to keep their places. Finally, the Bishop ended his closing statements by declaring the wind was indeed the spirit, or breath, of the “word,” because it had joined in the celebration of a new beginning for the Church of the Holy Spirit.
Father Hobbs, who led the congregation, had spoken of miracles during the service, his list including the $55,000 grant from the United Thank Offering, the construction knowledge Jim brought to the project, and the free labor given by all the volunteers who traveled with us from Chattanooga. “The miracle of this spirit of volunteerism will allow the church to be debt free,” he said: “a luxury, yet a necessity in the life of this small parish.”
A feeling of pride that we had brought something of value to a group of people who’d rarely caught breaks in our country was battling it out with my feelings of regret. Would our hymns sung in English have drawn Tipi Sapa in if he’d rode by on horseback today? I questioned. The only answer was the breeze stirring the skirt I’d worn, the fabric whipping into a frenzy as the Bishop walked over to shake Jim’s hand. The silence of the undulant air provided no answer as I smiled and tried to appear gracious while my emotions buffeted my heaving mind. Where would this turmoil lead me? I wondered as the Bishop embraced me in a gentle hug.
If you are new to my blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. Thanks for stopping in!
This is a participating post in Let's Blog Off. To see how my blogging compatriots chose to answer how the preceding generations had made an impact on their lives, click here.
Lying to Tell the Truth: A #LetsBlogOff Reverie
Jim was racing around with only a week to prepare for his final trip to Costa Rica because he was determined to cram three week’s worth of activities into the seven days he had in town. His meetings with his cronies segued to long lunches at the Mountain City Club; and his determination to taste the best of summer filled our evening and weekend calendar with barbecues, al fresco cocktail parties and boating on Lake Chickamauga.
He would spend a week in Central America before I joined him with six volunteers, and I was up early the morning I took him to the airport, watching as his sunburned head—all that was left of the leisure time he had known—bobbed in and out of view as he heaved the heavy LL Bean duffle bags out the door. I stood at the window admiring the bluff trees, which I knew would envelope me in coolness once I was back from dropping him off because I was determined to park myself on the screened porch for as much of my week of freedom as was possible. I settled myself there the minute I returned, sitting quietly for a few seconds in order to attune myself to the waterfall smattering against the gully of rocks into which it spilled. It seemed that the staccato notes mimicked my lack of output at the typewriter—the tap, tap, tap echoing the stilted rhythm of my creativity gone bone dry, the keys sticking in mid-strike so that the words came out of me in a halting trickle.
I was waiting for an imaginative storm to blow through and leave the ideas cascading from my brain in a torrent but that had not happened in far too long. This made me fear the long summer months ahead, knowing the heat would diminish the waterfall’s voice to a dribble. Would mine be sentenced to the same fate? I wondered. What would it take to get my writing back on track? It was then I realized the sound of that splattering was identical to the noise that falling water made as it splashed into a deep, boxy concrete sink. I closed my eyes and let the sensory memories wash over me as they brought Costa Rica, where I would soon return for the last time, flooding over my senses.
I was still trying to process what I had experienced in South Dakota—a time of controversy, conflicts and extremes. During the convocation, I had felt the need to hang back and remain aloof. I had never met such shy, closed people and I felt there was prejudice against me, though I hardly blamed them because I was just another wasichu. I could only imagine how much deep-seated mistrust had built up in them and I felt sad that there was no unity among tribes because it kept them from moving forward in a way that might have enabled them to assuage some of the despair I had witnessed.
I moved through the days of Jim’s absence with this fretfulness jangling around in me even during the delicious mornings I spent soaking in the beautiful mountain backdrop. The surroundings calmed me as always, but I found that I was so weary it was all I could do to put two sentences together. I kept at it, making false starts as my annoyance at the sound of the heavy equipment cutting the road far below, which sounded downright evil juxtaposed against the soft spraying of the waterfall, edged out the faint momentum that offered itself to me. This must have been the same sound the people who lived near the strip mining operations heard when the ruination of certain parts of the Appalachian Mountains came to pass, I thought. Oh, why do I care? I am a peace here, and I wish I could sit like this for the rest of my days!
I had seen the play “Steel Magnolias” with friends and found myself wishing I could capture the eccentricities of the southern character as brilliantly as Robert Harling had. The only other time I had been as enamored with the authentic rendering of the eccentric southern personality was when I had seen Beth Henley’s “Crimes of the Heart.” Would I ever get my act together so that I could leave something as forceful to the world?
The Fourth of July dawned and the weather was a deluge. I realized that most people must have been angered by the weather but I was reveling in the fact that I had peace, quiet and every excuse to hole up. The tropical-like downpours had created a snarling waterfall that ravaged slick rocks lit by a queer fog-filtered light—to the point that they glowed, alien-like. Within that odd radiance, hammered silver contrasted shiny green leaves so brilliant they appeared to be made of patent leather.
I’d been reading an article in Harper’s titled “In Deepest Gringolandia.” In it Bob Shacochis declared Mexico was being used as a third-world tourist theme park by North Americans. He wrote, “North Americans, boarding their planes, take North America with them—in varying degrees, yes, ugly or beautiful, but North America nevertheless.” I thought about how uncomfortable some of the places we’d stayed in Costa Rica had been and how I had succumbed to this myself. Being overwhelmed by roaches had certainly thrown me, and living at the mercy of the elements had challenged me to no end. If I was a snob by admitting that being in a clean environment soothed me enormously, then I was guilty as charged.
Since my writing voice was firmly on strike, I found myself reading voraciously while Jim was away—making my way through a stack of books and magazines I had been intending to read for months. I’d thought that focusing on fiction would help me to escape the lack of momentum in my own writing so novels held high priority, but the tactic was having little effect. I awoke on the fourth morning of my solitude, my knee bumping the books tossed haphazardly onto the opposite side of the bed, and looked out into the dull sky. Where the clouds hung thicker, there were puffy lines of deepest gray—a scowl to interrupt the endless monotony of graphite. I felt restless and edgy so I laced up my running shoes to take advantage of the misty umbrella nature had sent before the sun burned it off and brought on the sizzling heat.
It felt good to let the warm moisture move through my hair as the sweat poured from my body. I felt my breath enter and leave my lungs, marveling that flesh and bone had the fortitude to endure when my emotional self felt so beaten down. As I made my way past the familiar vantage points I always saw on my runs, I wondered how my life would look in twenty years; thought about Picasso’s premise that the artist lies in order to reach another kind of truth. What lies could I tell in order to create a life with a truth I could tolerate? I wondered as I turned the corner toward home, accelerating my speed to match they pace of my disconcerting thoughts.
This is a participating post in a bi-monthly exercise known as Let's Blog Off. I don't know what it is about the choices LBO leaders make for topics, but somehow my ramble through the past 20 years seems to always be on point. The material for this post and the photo of me on Lake Chickamauga were created, oddly enough, 20 years ago almost to the day. I can't wait to see how much headway I make as a writer in the next 20 years! To see posts by the other #LetsBlogOff participants du jour, click here.
If you are new to my blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. Thanks for stopping in!
Tortured Water
Once we crossed to the western rim of the river, the land grew a bit wilder, feeling more isolated and lonelier, especially on the Cheyenne River Reservation where the Convocation was underway. I was trying to nail descriptions of what I had seen in my writers notebook when the hymns that had filled the breaks in the programming ended, leaving only the sound of distant chainsaws to rend the sudden silence. They were being run by heavyset Native American men cutting and stripping the pine poles used for building the bowers, the new ones necessary to accommodate a swelling crowed. The rough-hewn constructs were fastened together with wire and topped with mesh over which dying limbs and branches were tossed to create dappled shade. The spots of light beneath them glinted on folding metal chairs and peppered crude benches made from planks of raw timber that had been nailed onto short sections of tree trunks.
A long line of presenters moved across the dais under the largest bower straddling the podium as the day’s agenda progressed. First up were the varied chapters of the Episcopal Church Women. Beulah Turgeon shared her details of the activity that had taken place on the Rosebud Reservation, noting that they felt a sense of accomplishment given the monies they’d raised from their series of lunches. Mrs. Runs With Enemy asked that grave markers be maintained more vigilantly in her parish because it was a sign of respect for the dead. The pleas of the women to follow were similar, each noting needs beyond their parish’s means. As the women wrapped their agenda, a group of men filtered in, separating into small clusters.
Mr. Little Soldier was the first to step up to the microphone. He asked, “Who is our God?” paused and stared keenly at the audience before adding, “Is he in favor of a separation of church and state?” Every so often he would break into the Sioux dialect, which made his sentences sing as his voice rose and fell, going soft on syllables like "ha" and "cha." English phrases emerged in the midst of the melodic language—“all this time” sandwiched between Woniya Wakan, or holy spirit, and niyelo, “it’s up to you.” He was a member of the camp advocating a vote to approve that both Lakota spiritual activities and Episcopal services be embraced by the Diocese. Some men offered murmurs of acceptance and others dissent, depending upon which side of the issue they supported. A critical argument had to do with whether traditional customs of the Episcopal services could be altered, namely the sips of wine during the Eucharist.
Not everyone wanted the custom to be changed, but the ones who did were adamant that using grape juice or non-alcoholic wine was of grave importance because it took only a tiny bit of alcohol to ignite a setback for the addicted. The sun illuminated the handmade quilts hung behind the podium as the debate wore on—the colorful stars and the war eagle so exquisitely crafted. Set in relief against the artful backdrop created by these beloved symbols, Reginald Bird Horse spoke of how the native religion was a comfort to those who still believed in the old ways. The parade of names of the ardent speakers as they presented their heartfelt positions on a string of issues quickly became a jumble.
Father Makes Good delivered his impassioned plea to preserve the Episcopal services as they had always known them. A lay reader from St. Elizabeth’s named Reginald Bird Horse remarked, “I’ve been to the hill. How long since we’ve been involved with alcoholism? And now it’s bingo. I have found myself by communicating with God; going to the hill to fast and pray.” He was advocating the use of the peace pipe and the drum in church services, and was one of the speakers to address the plight of those who had beat alcoholism only to be faced with the wine at the communion rail.
Nelson Young Hawk came forward and spoke of his tiyospaye, or extended family—his grandmothers and great grandfathers who had adopted the white man’s way by accepting their religion. He was certain that they should not change the services in any way; that these weekly rituals should remain exactly the same as they had been since the church first entered their lives. Simon Speaks approached the microphone and said in a flat, matter-of-fact tone, “We don’t come together to think about the almighty dollar from the U.S. treasury—the Indian got along without it for a long time until they took our gold mines and now we can’t get our own money—we should take our religion back, too.”
As clipped, grey clouds drifted through a Wedgwood blue sky, Father Bears Heart took the dais and the men nodded as his voice cascaded through the Sioux language, a dialect that such a small minority within our country’s borders would recognize. His friendly face disappeared as another—thinner and more haggard—took its place, and the back-and-forth continued into the afternoon. I thought of Black Elk’s statement: “They talked and talked for days, but it was just like wind blowing in the end.” As the last man exited the low stage, the sound of crickets and the clink of metal from a small group of men playing horseshoes were suddenly drowned out as the recorded hymns flared from the giant speakers, which had been heaved onto a tall wooden platform.
I learned that day how important the word tiospaye is to Native Americans, and I also came to see that I was intruding on a discussion that wasn’t mine to hear. With a heavy heart, I moved to a bower away from the activities of the church after hearing Bishop Anderson tell those who were asking him to make a decision as to how their church services would be shaped that it was their decision to make, not his. He said decisions had been made for them for far too long and it was in their best interest to talk amongst themselves and come to their own conclusions.
As I noted how sadness seemed to be leaking from each person speaking, I wondered about the jovial demeanor of the people milling around a large pot of buffalo stew—such a contrast to those speaking that day. It took several men to stir it as it bubbled furiously, the intense flames beneath the black vessel holding the soup dancing vibrantly against the pot’s rounded bottom. I stared at the ground a great deal as the hours passed, walking around as I tried to get my bearings. As I did, I saw how the fine, silt-like dirt beneath the grass, which was so dry it crunched with each footstep, eagerly took the imprint of the logos and patterns carved into the bottom of each pair of sneakers that had passed over its surface. I had read that the dirt in this part of the U.S. was the drift left by glaciers of long ago and I wondered whether our version of hieroglyphics would be the motifs on the bottoms of our shoes when the next Ice Age hit.
A priest from Colombia struck up a conversation with me as I sat off to myself scribbling my impressions of things. He told me that he was Lutheran and that he’d had a falling out with his church. He had married an American and found himself on the Pine Ridge Reservation ministering to the Ogalala Sioux. “The American Indian is rich compared to the poor in Latin America,” he remarked. “Their poverty is not in their world, it is in their minds.” His words reverberated as we drove the serpentine road to Mobridge, stopping there for coffee before heading back to Sioux Falls. We laughed as Randy thought to officially welcome us to the land of “tortured water”—the name they’d given their particular brand of joe in South Dakota.
As we flew back to Tennessee, my mind was exploding as I attempted to process everything that I had seen and heard. My confusion as to whether western religions had any relevance for Native Americans had been amplified, and I thought it fitting that one of the first Lakota words I learned was skinciya, or struggle. Stevie Smith once wrote that a mind stretched to a new idea never returns to its original dimensions. At that very moment, I was living, breathing proof that this was powerfully true.
If you are new to my blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. Thanks for stopping in!
Utopian Attitudes
As we left the outskirts of Sioux Falls, our drive to the Yankton Reservation took us through an expanse of checkerboard farmland. It was deemed an open reservation due to the mix of Native Americans and white landowners within its boundaries, and this became clear as we pulled into Wagner, which looked as all-American as any other farming community in the Midwest. We met Father Field and his wife Mary, Rocky, Elmo, Edna, Peter and Annette that day—names of people we would come to know very well as we built a church they had been asking the Diocese to provide for them for many years.
Our second stop was Greenwood, which rests in the nipple extending below the rectangular state at its southeast corner, its meandering outline there defined by the Missouri River. The church we would be replacing with the one we would build was eerily quiet—its interiors musty from being closed up for quite some time because the community that once utilized it had moved to Wagner to be closer to the services a town provides. I’d never been as moved by “The Lord’s Prayer” as when I saw a large framed needlepoint of it, written in the Sioux language, hanging in the vestibule. It was as rag-tag as the little strip of land along the Missouri River we found ourselves walking along that day—the waterway nothing more than a stream indolently moving through a deep ravine the river had made before being dammed upstream. The quiet spot held a collection of abandoned churches and a few run-down houses, and I could feel the sweep of history, though not the bustling one that had long been silenced along the jagged banks.
After the lush vegetation of Greenwood, our next stop—Lower Brule, a closed reservation—felt barren and dry. We met Marilyn, Boots, Gloria and Mr. Small Jumper, all eager to greet us because they welcomed our help. Father James, who was younger than most of the priests we’d met in the mission field, had been assigned to the isolated reservation that held nothing but buttes and flats spanning for miles. When we left the Lower Brule, we traversed the Crow Creek Reservation, moving through undulant gold grasses as we listened to Randy explaining that the Dakota, Lakota and Nakota were all arms of the Sioux tribe, and that the first-letter change of their names designates their linguistic differences—certain words used by all the Sioux would begin with “D,” “L,” or “N,” depending upon which segment of the tribe the speaker had been born into.
As we headed farther north and west, we drove a rain-soaked road that rose and fell away, mimicking the undulant profile of the hills. The Missouri River tracked us, slithering out of sight through distant gorges and reappearing when the cliffs gave way to expansive meadows. We glided along the silvered ribbon winding through velvety green for several hours until we came to a field of flattened grass that was littered with beater cars, giant speakers, several pine bowers and an odd assortment of people, both Native American and white.
The four-day, out-of-doors Convocation was in full swing. Christian hymns blared from the speakers as we walked through the trampled prairie grass rousing grasshoppers with every step. I attempted to make eye contact with the Native Americans I passed, but my searching looks were met with stoic distance. I sat alone for most of the afternoon, watching puffy clouds glide effortlessly through an enormous sky as I wondered why my attempts to connect were being met with such resistance.
I realized there was so much to learn. I had always taken my ability to connect with other human beings for granted, and I had already been told once since we’d arrived that I was being very idealistic. What else is new? I thought, admitting that I could see this in most of my dealings, though I wouldn’t have been so quick to put a name on my emotional makeup. It was a bit like being categorized, then stamped with a number to be shelved in the “Idealist” section of the library. How did I come about these “utopian” attitudes? I wondered as I scribbled in the notebook in my lap, the smell of pine infusing the air.
If you are new to my blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. Thanks for stopping in!
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This is a participating post in #LetsBlogOff. The question du jour: “What do you take for granted?” I hope you enjoyed my realization about taking human connections for granted; to see the other posts answering this question, click here for the full roster.
Some Hint of Myself
We were a few days away from taking our first trip to South Dakota and I had no idea what to expect. We would be attending the Niobrara Convocation, a church convention for Sioux Episcopalians, in Promise, South Dakota. The Bishop had mentioned we’d see a bit of the wild wild west as we traversed the Great Plains—prairie dogs, buffalo, antelope and miles upon miles of barbed-wire fences. Though not as “exotic” to me as the animals he listed, I was battling some pretty sneaky Tennessee wildlife as I tried to protect my herb garden on the mountain, and it had me wondering whether the native animal kingdom on the Plains could be any more troublesome.
For three mornings in a row woodchucks had decided it was their duty to dig around in my newly planted pride and joy—a series of mounds of dirt skirted by carefully placed stones from between which plumes of perennials and knots of herbs sprouted. I had planned this perfect garden for months and it had taken me an entire week to physically create it so I was understandably feeling a bit territorial. I had pegged the perpetrators as our regular visitors, the raccoons, until I caught the groundhogs red-handed one night. Just before heading to bed I had heard a noise that sounded suspiciously like terra cotta scraping on wood. I flipped on the deck lights to see the critters pulling my bay tree out of the dirt, placing it carefully on the deck beside the pot they were plundering. I left them alone, knowing the plant would survive the night in the open, and just before drifting off to sleep, I wondered if I should put some dried ears of corn at the bottom of the steps for them the next evening—a peace offering of sorts. Then I quickly realized how silly the idea was, as they didn’t consider their behavior destructive; they were simply foraging for food.
Jim had built me a remarkable potting bench for planting herbs and flowers, and I’d found the perfect place for it in a nook facing the woods. I was making my way to it to repot my bay tree the next morning when I nearly stepped on a large snake sunning on the deck. I thought I was going to drop dead from fear before I could reach the door to the garage, high-stepping more successfully than any drum major I had admired when high school bands were still known for turning out such prancing leaders!
I shuddered all afternoon thinking about how close I had come to stepping on the slithering creature. When I described it to my neighbor’s gardener, he declared it to be a harmless chicken snake but I felt certain it had been of the deadliest sort. I raced down to the bookstore to buy a guidebook so I’d be able to identify snakes from then on. Needless to say, I never nonchalantly walked around any corner on the deck from that day on, and when I would see an elongated reptile sunning on one of the large, flat rocks on the bluff below, I’d pull out my handy book and see if I could tell its type. It was a ridiculous effort, of course, because you had to get pretty close to a snake to make out its details and I certainly wasn’t signing on for that task.
The next day, we took off for South Dakota before the light had come up on the city and I felt inexplicably nervous on the flight to Sioux Falls as I fingered a newspaper clipping with my grainy visage stamped into it—an advertisement I’d used to mark my spot in Black Elk Speaks. I’d agreed to model for this ad at the request of several friends who owned First Impression, a clothing store they’d just opened. I scanned the image for some hint of myself—some sign that it was really me—and I found nothing that told me I was present when the photograph was taken! In fact, it had been an embarrassing endeavor as I tried to figure out how to pose because I’d never done so. Afterwards, I realized I should have practiced before I went to the shoot but that wouldn’t have occurred to me either. The photographer was completely green so he didn’t have a clue as to how to help me, and I had left feeling self-conscious. That’s what I thought about when I saw my wide smile, the discomfort causing me to jam the flimsy piece of paper into the back of the book as I vowed never to do something as out-of-character again.
I had made it about three-quarters of the way through the story of Black Elk’s story and was gaining a Native American’s view of how their lives were changed by the whites they encountered in the days preceding, during and following the “Indian Wars.” Black Elk, who lived in a log house on the Pine Ridge Reservation between Wounded Knee and Grass Creek when he was relating the story to John Neihardt, said,“…the Wasichus have put us in these square boxes. Our power is gone and we are dying, for the power is not with us any more. You can look at our boys and see how it is with us. When we were living by the power of the circle in the way we should, boys were men at twelve or thirteen years of age. But now it takes them very much longer to mature…Well, it is as it is. We are prisoners of war while we are waiting here…”
Until reading the book, I’d never heard the word wasichu, which means “white person” in Lakota. It was bizarre to be perceived as different because I’d never been put in a situation of minority before. I suppose something told me I was heading into tricky territory given the anxiety I felt as I finished the book, which I closed as we were beginning the final approach into Sioux Falls. I found myself swallowing tears as the medicine man’s words lamenting the moment when Native Americans were relegated to reservations echoed in my mind.
“And so it was all over…I did not know then how much was ended. When I look back now from this high hill of my old age, I can still see the butchered women and children lying heaped and scattered all along the crooked gulch as plain as when I saw them with eyes still young. And I can see that something else died there in the bloody mud, and was buried in the blizzard. A people’s dream died there. It was a beautiful dream…”
Black Elk’s story had been lived one hundred years before my arrival in South Dakota, and it made me sad that there had been even further decline for the freedom-loving people. “O make my people live!” Black Elk had wailed. It occurred to me that I would likely look back on Costa Rica as a piece of cake compared to the emotional territory I found myself entering in South Dakota. The thought was sobering as I stepped out of the plane and walked down the steps into the heat of the Great Plains.
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