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Night Tiptoed In
She certainly used her surroundings for creative fodder, as is illustrated in this passage describing the Wild Turkey from Our Southern Birds: “Any one who has followed the trail of the turkey through its native woods, or who had made the acquaintance of some lustrous purple-legged baron hatched from a wild egg and raised in a poultry yard, will not grudge this species the phrase that has often been applied to it—‘noblest of American birds.’ An appreciative southern wrier, Mr. Lanier, once suggested that the Wild Turkey would be a better choice for adoption as our national emblem, instead of the rapacious and quarrelsome Eagle; but, however suitable to American ideals and character this change might be, it is not likely to take place, for the reason this splendid game bird is being killed off at a rate that insures its disappearance from all but the wildest parts of its ranges. In short, the Wild Turkey will probably be nearly extinct before the general public becomes acquainted with him…”
Fall was coming full on and the bluff was being leached of its greenness, the leaves coloring as they clung to the barely hidden branches of trees that heaved them into the dull sky. A thunderstorm raced through, bellowing as the limbs danced its bidding. I went to the screened porch to feel the drifts of mist racing up the gully, enjoying the cool moisture caressing my face. As the storm moved away, the sun radiated red-orange, spilling its hues like a paint pot someone had overturned, its contents seeping earthward until it infused the entire atmosphere with its pigments.
I was just beginning to learn how the weather affected the spot on which we were perched. The wind would race over the cusp of the rocks that formed our foundation, blasting around the house and rattling the windows with its fury. As one gust would die, another would rush forward, its fist closed tightly to pound the door and to pummel the trees, which were forced to cling all the more mightily to the puny soil beneath their roots. The beating seemed more sinister at night as everything went black beyond the windows. I was drawn to the cold panes, curious to feel the fury of the gusts—the rattling of the pulsing glass keeping me company as I watched for shooting stars. They would arc through the sky every so often and I had finally made enough peace with my life to have wishes ready to salute their passing.
As night tiptoed in on a dusty pink horizon wedged between layers of soft blue one evening, I wrote, “I can say I will not be a writer as many times as I like but it will never keep me from writing.” The next morning as the sun rose above the far horizon, I listened to the “stars” of a writer’s conference read poems and fiction on public radio. The broadcast pulled at my insides, making me want to write as they had written but I was stuck in some strange rut of fearing the very thing I desired the most (and the thing what would set my spirit free if I’d only allow it).
Even as my internal angst with my identity roiled, I must have been embodying my desire to become a writer without even knowing it because a man I knew continued to approach me with his own need to accept himself as a writer. He was not nearly as far along as I was in the discipline of journaling and I felt his desire to connect with a kindred spirit ooze from him when he would seek contact with me, a needy look in his eyes giving away his internal angst. I guessed that having an exchange with someone who was struggling as much as he was shored him up, something I thought about frequently as I fumbled through my own chaos.
As I bought myself a new writer’s notebook one afternoon a thought flashed into my mind. I stood looking at the shelf of journals, lips pursed as I tried to decide if my idea would cross any inappropriate boundaries, when the doubt fell away and I decided to buy one for him. The next time I saw him, I gave it to him along with one of the special pens I favored. I wished him well when I handed it to him and I could tell it meant so much to him. The next time I bumped into him, he thanked me profusely and I could feel his anxiety mixed with joy over the book of blue-lined pages he clasped in his hands, the blank surfaces gnawing at his desire to fill them, hungry as they were for his words.
I wanted to tell him that the moment before he began his path toward a desire to write would likely be more peaceful than any moments following; wanted to tell him about how the impulse to write complicates a normal life in ways that are difficult to explain. But I decided it would be best for him to find this out in his own way in his own time. After all, that’s an important part of a writer’s journey, and who was I to say where his process would take him and how it would unfold? If nothing else, writing is an incredibly personal discipline, one that demands of its collaborator his or her own blood, sweat and tears…
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Mountain Song
* * *
We sprinted through the Miami airport to make our connection because the customs queue through which we had been processed from Costa Rica was a bogged-down mess. Once we were finally on the plane to Atlanta, my excitement was making it difficult for me to write—the fragmented thoughts, scattered words and jumbled feelings exploding onto the page in an incoherent mish-mash of joy and impatience. A friend of ours, Jerry, had made the trip with us, as had our priest from Chattanooga. It was the first time I’d been around either of them for as long as a week and I’d grown fond of Jerry’s voice, the inflections that made his southern drawl so friendly had a lyrical charm that only a down-home boy could convey. He and I had laughed for days about the fact that when Jim sent the Padre to the hardware store to buy rope, he’d asked for ropa, which garnered him nothing. The clerk obviously couldn’t understand why he was intent on purchasing clothing when they didn’t sell garments there!
Once home, I managed to capture a few days to myself because Jim was off on a business trip. Sam slept beside me as I journaled the first morning—all fours up in the air, a snoring mass of golden-hued hair. As I stroked his belly, it occurred to me that the value of home was truly priceless. Storms had roared through the night before, trailing in their wake a shooting star. In another mood, I might have taken that as a sign of promise but I was weary and bereft. My goal for the day was to let go of my gaunt frame of mind so I could enjoy the atmosphere in which I was luxuriating as Bridal Veil Falls sang over my shoulder in an earthly percussive arrangement of smattering water against unyielding boulders. A dove’s contented coo reproached me for having any feelings other than gratitude given that I was finally tranquilly at home. I’d been pouring words into my personal journal, which had helped to clear my head somewhat—there was something about spilling the quandary of my life onto its pages that always made room for a modicum of ease. The sun, which had made a personal call as it rose above the fog-choked valley, was casting long shadows on my writer’s notebook and causing the point of my pen where it met the page to gleam.
I was made for this quiet, this solitude, this calm, and I reveled in the fact that Jim’s trip had given me the time to myself, which I believed would help me sort through the mess we’d made of things. As I sat there wondering what changes we could undertake that would help us right our wrongs, the wind rode up the mountain, whistling like the engine of a speeding train. It was then that I noticed it was happily marking time on the porch, its rhythm moving the rocking chair as it took a breather. I loved the idea that the undulant currents wanted to take a respite, and the fact that they had chosen my deck as a hangout delighted me to no end.
Questions as to the quality of my writing were surfacing—the realization dawning that when it was rushed my work lacked the vivacity of the material created during times of complete absorption. Had my work reached the level at which I should be so concerned with publishability? I wondered. I longed for more time for revision, but I had also seen that the process was not always my friend; that the flesh of my poetry was too tender to be ripped apart and expected to heal without exhibiting scars. Was I a skilled enough practitioner to prescribe the proper ointment for the treatment of these lesions?
This question was a quirky one because I wasn’t inclined to write what would be considered “publishable” work anyway. I simply didn’t see myself creating the type of poetic constructs I saw in most of the magazines I read because I felt the work I came across in the mainstream press lacked a certain narrative beauty I wanted to achieve. And yet, I had to admit that I wrote for the approval of others because. “It’s impossible for me to give myself the very thing that I need to feel accomplished: an appreciation from a source other than myself,” I wrote that morning. How vulgar this looked in black and white! I thought; yet, vulgar as it was, wasn’t this the truth for every writer? Even if a writer was unaware of the fact that he or she needed this give-and-take, I bet there were none among us who didn’t crave attention for what he or she produced.
I finished my coffee as these thoughts reached an unresolved end, stilling my mind to focus on the sun as it broke through the cloudbank. The scene was hyper illuminated as she infused the towering billows that fanned out like a long ball-gown with her verve. How glorious would it feel for the upper reaches of your hair to burn—a filmy, shimmering cotton, torn, singed and arranged in a glittery display? I wondered. As I stared into the blazing harshness, a hawk skirted past, dipping just below our rock outcropping as silent as night. I picked up the book I’d chosen to read, watching as the attentive raptor made several circles above the falls. As I caressed the tattered cover of Strains from a Dulcimore, a book of poems by Emma Bell Miles, the hawk keened twice and then dove earthward.
I thought the moment was remarkably serendipitous, as Miles had once ambled along this very bluff gathering inspiration for her writing, her watercolors and her sketches. Had she also marveled at the quality of the light, the hawks, the waterfall as she traipsed through the woods so long ago? Her world—in the 1890s—was one of a densely forested mountaintop sprinkled only with the occasional cabin, a far cry from present-day Walden’s Ridge with its pricey real estate and busy streets.
Her other published works included The Spirit of the Mountains and Our Southern Birds, but it was her poems that moved me, and I felt grateful to have had the time to sit with them as the sun climbed ever higher in the sky, setting the yellowed surface of the worn pages I flipped through aglow:
Mountain Song
Sing me another song tonight—
Tell me a story, Love—
A queer old dear old dreamy tale
Of gulch and cliff and cove;
A song of wimpling waters where
The trout’s white bellies gleam;
A story scrolled against dark pines
In wood-smoke blue as dream.
Sing me a song, low, elfin-sad,
That mountain-folk know well;
Tell me a tale of candle-light
In cabins where they dwell.
For O my heart has ached to these
Ere love began to be,
And you, Dear, are but part of this,
The life you lent to me.
-Emma Bell Miles
If you are new to my blog and you'd like to start at the beginning, here's the link to the first post. Reading the "Start Here" sidebar on the homepage gives you the earliest information. Thanks for stopping in!
